What is Fata Morgana no Yakata: Anata no Genten ni Itaru Monogatari about?
Status: Finished
You awaken in a decrepit old mansion.A woman with eyes of jade stands before You, informing You that You are the Master of the house, and she Your Maid. However, You have no memories, no concept of self—or, indeed, any certainty that You are even alive.
The Maid invites You to join her on a journey through the mansion's lifeless halls, to behold the numerous tragedies that have befallen its residents. She suggests that among them, perhaps You will find some trace of Yourself.
Beyond the first door lies the year 1603.
It is an era of unparalleled beauty, where art and theatre flourish. Roses bloom abundantly in the garden where the inseparable Rhodes siblings play, and though they appear to be free of worry and strife... not everyone is content to see them happy.
Beyond the second door lies the year 1707.
In this era, the mansion lies in ruins, and a beast dwells within. He claims to yearn for a life of serenity, but it is not long before he yields to his innate savagery and a massacre ensues.
Beyond the third door lies the year 1869.
In this technologically advanced era, people are always on the move. The mansion's master is an ambitious businessman who has invested in the rail industry. However, his obsession with wealth and power leads him to neglect and mistreat his wife.
Beyond the fourth door lies the year 1099.
The Maid tells You that this is the final tale. In this era, You see a young man who claims to be cursed and a girl with white hair, called Giselle, who has been branded a witch and marked for death.
Having borne witness to these four tragedies, each set in a different time and place, You are now free to choose whether You wish to end Your story here... or press on.
But there are those who would say, "You were able to bear them because they weren't your tragedies."
Tags: Tragedy , Reincarnation , Revenge , Amnesia , Philosophy , Witch , Time Manipulation , Time Skip , Achronological Order , LGBTQ+ Themes , Memory Manipulation , Body Horror , Maids , Male Protagonist , Gender Bending
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Often said my late grandmother, and that was quite true.
I was drawn to the occult from childhood, and upon entering university, I learned the truth of those words by stepping many times into the edges of the netherworld. Ghosts — beings which no one can decisively determine whether they exist or not. The story that begins here revolves around stories brought forth by them.
And this story, it can also be said to be the story of it and I.
As its eyes glimmer in front of strangeness, as it breathes out words with a bedazzled expression, it warped the world that I always believed in. It made me anxious of whether the ground I stood on would shake. I would want to look over my shoulder just by listening, and I grew to fear whether someone were peeking from the dark shadow of the door. Maybe it was because the words it spoke included truths about the other side. It included truths that only applied to the scant, grotesque, waning, dead ones.
Now, after it has disappeared, do I finally know that.
As grandmother said, it was a world that I should not have seen. It was a story that was not for the living person.
However.
However, I intend to speak of that.
I intend to speak about all of that. Because if I don’t — it wouldn’t be able to rest in peace.
Because it, having lived on the edge of darkness, having struggled through the threshold of darkness, would not be able to live in peace.
Yes — I’ll say it once more.
From here on, is a story that shouldn’t be known.
Tags: Ghost
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